Suicideboys Album

Suicideboys is an American hip-hop duo from New Orleans, Louisiana. They have released several albums throughout their career, each with its unique style and themes.
Some of their notable albums include "I'll Be Gone in the Dark," which explores themes of depression, anxiety, and addiction; "Ruby," which features a more experimental and industrial sound; and "Stop Staring at the Shadows," which showcases their evolved sound and incorporates elements of trap and electronic music.
Overall, Suicideboys' music is known for its raw and honest lyrics, unique production, and experimental approach. Their albums often tackle heavy subject matter and offer a glimpse into the duo's struggles and experiences.

  • $uicideboy$ Memoirs of a Gorilla lyrics

    Memoirs of a Gorilla

    " Memoirs of a Gorilla" is a music album full of interesting and unique that explores the listeners' minds and flows them into the sound world of fantasy and feelings.

    The album is high class for having an uncommon theme that encloses it in the niche between gentle and fiery songs. It is first-person narrated from the viewpoint of a gorilla and offers an account of the life history and inner world of the gorilla through the use of music. This creative lead introduces a certain amount of mysticism and curiosity to the whole album which makes it, by all means, interesting for the listeners.

    $uicideboy$ Memoirs of a Gorilla

    The genre is vibrantly fusion-like and combines multiple aspects to be appealing to many. By the different quietness and rhythm of the song, each song has its character and emotional aspect.

    Within the album, there is a sense of rhythm that not only, but the songs also have great melody and harmony. Elegant handiwork of composition and arrangement turns each song from an ordinary song to one that boasts layers and complexities. This kind of effect invites the listeners to listen in full and immerse themselves in the music.

    The lyrical expression is deep and bold, offering topics that capture the main ideologies of self-awareness and the connection between nature and people. They are the simplest and the purest forms of what’s deep within and what’s left unsaid, at the same time allowing the audience to identify themselves completely with the lyrics.

    The sound quality is top-notch. This splendid job is done in the recording and mixing section just to get the best music to the audience. For instance, every detail is presented very well to the audience.

    "Memoirs of a Gorilla" stirs not just in the listeners' ears as music but also their minds and emotions – thus, the journey of its musical adventurousness. It does not just stand in the shoes of recorded music but goes beyond the limitations and delivers music that is out of what has been conventional. Whether they are music enthusiasts or if they are simply looking for a new type of audio experience, they can find an album that creates alluring and inspiring harmonies here.

    $uicideboy$ Memoirs of a Gorilla

    $uicideboy$ Memoirs of a Gorilla lyrics

    [Verse 1: Yung $carecrow]
    Triple six serpents of death crawlin' under your skin
    If I take a bet, you can guess who gon' win
    I walk in the 'jects without no protection
    I function in hoods every city I'm in
    I'm that Grey-born gorilla out the concrete jungle
    Duckin' from the dope 'cause I just shot a bundle
    $carecrow make the chopper drum shots rumble
    $carecrow got the dope game from my uncle
    Huh, still prefer the drugs over bitches
    Better watch your side that you pickin'
    Snakes start hissin', heads go missing
    Rest in piss to the ones I'm killing
    Chief Keef drilling, codeine spilling
    Blood on my linen from the cuts, never healing
    Hot boys out the crypt with a mouth full of scripts
    Body bags zip when the gun hammer click

    [Verse 2: 7th Ward Dragon]
    Ruby leveled up
    Ruby leveled up
    Ruby gon' global, epidemic proportion
    I got the torch, and now I'm lighting up gas on the porch
    Kick back, now I'm bored
    $lick asked for the short, flick ash for the sport, uh
    Ruby wrestles several devils in the 7th Ward
    But Ruby can't afford to move towards the horde just yet
    7th Ward Dragon with a fiery sword through the neck
    Engulfed in flames, engulfed in blood
    As it rains from the red heaven that Yung Plague has escaped
    Levitate over Lake Pontchartrain
    Set 'em straight, no, we are not the same
    Yeah, it's hard to remain when you're self-slain
    Yeah, it's all that remains when you're self-made
    Ruby 'bout to take a second breath, uh
    Embrace yourself, because all that remains is the bloodstains

  • suicideboys vinyl

    Vinyl: A Timeless Medium of Musical Joy

    Vinyl Records

    Vinyl records have made a comeback in recent years, capturing the hearts of music lovers around the world. This classic format provides a unique and immersive listening experience that sets it apart from other media.

    One of the standout features of vinyl records is their warm and rich sound quality. The analog nature of vinyl records gives the music a depth and character that is often difficult to replicate in digital formats. Each spin of the record delivers a unique analog warmth that transports listeners back to a bygone era. Although Suicideboys' music belongs to the hip-hop style of heavy metal rock, vinyl records can still give it a unique charm.

    suicide boys vinyl

    The tactile nature of vinyl is another appealing aspect. Holding the album in your hands, admiring the artwork, and flipping through the liner notes add to the overall experience. It provides a physical connection to the music that cannot be found with digital downloads or streaming.

    Collecting vinyl records is a popular pastime for many. The hunt for rare and limited edition releases, as well as classic albums, can be a thrilling adventure. Building a vinyl collection becomes a labor of love, a showcase of one's musical taste and history.

    Suicdeboys' Vinyl

    As vinyl records become popular again, Suicideboys' vinyl cassettes have also become a hot commodity. Many people don't know where to buy them, which platform is reliable, and how much a cassette costs approximately. So let me take you through it.

    Amazon

    suicide boys vinylsuicide boys vinyl

    Take the two most popular albums of Suicideboys as an example. Their prices are around US$20, including free returns and exchanges. The delivery time depends on the location of delivery and delivery.

    Merchbar

    suicide boys vinyl

    The price on Merchbar is slightly higher than Amazon, but Amazon’s postage is slightly more expensive.

    Esty

    suicide boys vinyl

    There is also a small amount of Suicideboys vinyl purchased on Etsy, and the price is not much different from other platforms. However, after all, Etsy’s main business is selling handicraft finished products, so you need to distinguish the authenticity.

    Ebay

    suicide boys vinyl

    It’s very exaggerated on eBay! Because it is an auction, some sellers will set the price unusually high, so before buying, be sure to get a rough idea of the average price of vinyl before making a decision!

    In the digital age, vinyl records allow people to escape the shackles of screens and return to a more tangible and authentic music experience. It allows us to slow down and savor the sounds that shape our lives.

    suicide boys vinyl

    Whether you're a long-time vinyl collector or just discovering the medium, there's something truly special about vinyl records. Not only does it sound great, but it also provides a connection to music history and art that continues to captivate listeners of all generations.
    As fans of Suicdeboys, while supporting them, we must do what we can. For collection, you don’t have to buy expensive ones, but you have to buy the album that best suits your consumption ability. Whether it is vinyl or not, it is the most important in your heart. 

  • suicideboys album covers

    Popular derivatives-Suicideboys album covers

    Suicideboys album cover merchandise may be sought after for several reasons. This article briefly explains the specific reasons.

    Fan Support: As a fan of the "Suicideboys" duo, purchasing merchandise featuring the album cover allows individuals to express their support and dedication to the artist. Merchandise is a way for fans to connect with their favorite artists and become more involved in their music.

    suicideboys album covers

    • Style and Aesthetic: The Suicideboys duo's album covers often feature unique and eye-catching designs. These designs may appeal to people who are attracted to the cover's style, aesthetics, or message. Purchasing merchandise featuring these covers allows fans to express their style and interests.
    • Collectibles: For some music collectors, purchasing merchandise featuring album covers may be a way to build a collection or complete a set. Collectors may be interested in obtaining merchandise with specific album covers as a way to showcase their fandom and collection.
    • Limited Edition or Exclusive Merchandise: Occasionally, merchandise featuring an album cover may be released as a limited edition or exclusive merchandise. The scarcity or exclusivity of these items can increase their demand and value, causing fans to want to buy them.


    It’s worth noting that the reasons for wanting to purchase merchandise featuring the Suicideboys duo’s album cover vary from person to person. Everyone has their personal preferences and reasons for collecting or purchasing items. Don’t follow the consumption trend and develop good consumption habits.

  • Hide Tide in the Snake's Nest

    Suicideboys album covers

    The Suicideboys' album covers have become a part of their identity, and they often use them to convey a message or set a mood for their music. While some of their covers may be controversial or disturbing, they have also helped to make the group stand out in a crowded music industry.

    Hide Tide in the Snake's Nest

    "Hide Tide in the Snake's Nest" is the second studio album by the American rap group Suicideboys. It was released on June 15, 2015, through G*59 Records and features production from members Ruby da Cherry and Scrim, as well as producers like Budd Dwyer, Purrpurrpurr, and Ryan Hemsworth.
    The album is known for its experimental and genre-bending sound, which combines elements of trap, punk, and electronic music. The lyrics on the album touch on themes of depression, drug use, and mental health, with the Suicideboys using their music as a way to express their struggles and experiences. The album received positive reviews from critics, who praised the group's unique sound and honesty in their lyrics. It also debuted at number 11 on the Billboard 200, making it the Suicideboys' highest-charting album to date.
    Overall, "Hide Tide in the Snake's Nest" is a critically acclaimed and commercially successful album that showcases the Suicideboys' unique style and lyrical prowess. If you're a fan of experimental rap music, this album is worth checking out.
    Hide Tide in the Snake's Nest

    Stop Staring at the Shadows

    Stop Staring at the Shadows

    "Stop Staring at the Shadows" is the third studio album by the American rap group Suicideboys. It was released on February 14, 2020, through G*59 Records and features production from members Ruby da Cherry and Scrim, as well as producers like Budd Dwyer, Purrpurrpurr, and Ryan Hemsworth.
    Like their previous albums, "Stop Staring at the Shadows" combines elements of trap, punk, and electronic music to create a unique and experimental sound. The lyrics on the album continue to explore themes of depression, drug use, and mental health, with the Suicideboys using their music as a way to express their struggles and experiences.
    The album was well-received by critics, who praised the group's willingness to take risks and push boundaries with their music. It also debuted at number 5 on the Billboard 200, making it the Suicideboys' highest-charting album to date.
    Overall, "Stop Staring at the Shadows" is a powerful and introspective album that showcases the Suicideboys' growth as musicians and lyricists. If you're a fan of innovative and thought-provoking rap music, this album is worth a listen.

    Radical Suicide

    Radical Suicide

    Radical Suicide is the debut studio album by the American rap group Suicideboys. It was released on July 22, 2016, through G*59 Records and features production from members Ruby da Cherry and  Scrim, as well as producers like Budd Dwyer and Purrpurrpurr.
    The album is known for its dark and gritty sound, which combines elements of trap, punk, and metal. The lyrics on the album touch on themes of depression, drug use, and suicide, with the Suicideboys using their music as a way to express their struggles and experiences.
    The album was well-received by critics, who praised the group's honesty and authenticity in their lyrics. It also debuted at number 36 on the Billboard 200, making it a commercial success for the group.
    Overall, "Radical Suicide" is a powerful and raw album that showcases the Suicideboys' unique style and lyrical prowess. If you're a fan of dark and introspective rap music, this album is worth checking out.

  • suicideboys album-Sing Me a Lullaby, My Sweet Temptation

    Suicideboys album-Sing Me a Lullaby, My Sweet Temptation

    Sing Me a Lullaby, My Sweet Temptation

    Sing Me a Lullaby, My Sweet Temptation is the third studio album by American hip-hop duo Suicideboys. The album was released on July 29, 2022, through G*59 Records. The album was produced by member Budd Dwyer. The album was preceded by two singles, "The Evil That Men Do" and "Escape from Babylon". The latter peaked at #22 on the Bubbling Under Hot 100 chart in the United States.

    In the U.S., the album peaked at #7 on the Billboard 200, #2 on the R&B/Hip-Hop Albums Chart and the Independent Albums Chart, and topped the Rap Albums Chart. The album peaked at #6 in New Zealand, #14 in Finland, and #26 in Australia and Canada.

    Genesis is the opening track of Sing Me a Lullaby, My Sweet Temptation.
    Genesis refers to the book of Genesis and focuses on the story of grief, creation, sin, and rebirth. The story tells how God's perfect creation, mankind, is punished by genocide for disobedience.
    Since Genesis is about rebirth, the song can be interpreted as the boys recreating themselves by changing their personalities, voices, and tones. Around the time of the release of the "LIVE FAST, DIE WHENEVER" project, they adopted a punk, hardcore style of music with Travis Barker, and the duo has been constantly changing their style ever since.

    Matte Black is the second track from the album Sing Me a Lullaby, My Sweet Temptation. The sample was used to promote the May 9, 2022 release of the Greyday series.
    It's relatively long for a song of $uicideboy$'s customary length.
    Scrim's verses are more a reflection of his addictive tendencies as a whole. It's also a reflection of his manic-depressive self. He shifts themes a lot in this song, like an addict molding his mind. First, he talks about sleeping with a girl, then he talks about relapsing on opioids, and finally, he goes back to the girl. Sex and drugs are addictions that people are addicted to and are often addicted to, after that he talks about his sadness and how he now uses his money to cope with his sadness by buying land and diamonds when in reality he is not happy and will never be truly happy.
    Ruby's verse is largely based on the fact that the older he gets, the less he can take care of himself. He talks about what a terrible person he is and how no one should follow him or be with him because his hobbies and behavior will bring people down.

    Suicideboys album

    Fuching your Culture$uicideBoy$ have been against the whole mainstream music for a long time and this time they are taking things to their hand to damage them, not just dissing it but indeed, ''fucking it''.

    This song is also a sequel to their 2019 single, ‘’Fuck Your Culture‘

    1000 Blunts is the 4th track on the album Sing Me a Lullaby, My Sweet Temptation and is the sequel to the 2014 track "100 Blunt$".
    100 Blunt$ was one of the first songs where the duo used autotune and sound effects, and that may be the case in this song as well. The use of autotune coupled with the song's title gives the song a vibe that seems to take one on a trip to get high on marijuana.

    In Constant Sorrow is the 5th track on Sing Me a Lullaby, My Sweet Temptation.
    The song is one of the most depressing on the album, where Ruby talks about how he achieved everything he dreamed of, but it no longer matters to him, how he feels inadequate, and how he struggles with the name $uicideBoy$.
    Due to the duo's name being associated with "suicidal" behavior, some fans have been waiting for years for them to finally end their suicides, mainly during the Boy$ era of 2017-2020, as they were dealing with sobriety and personal drama in their lives, and because of this, Ruby is the one who told them to leave him alone because he has changed over time and his suicidal state is as well.
    On the other hand, $crim talks about how he felt distrustful of his friends and family and how he struggled with the idea of believing in "God", which either means that he struggled with believing in the existence of "God", or it means that he thought that "God" had little to no impact on $crim's life because his prayers didn't seem to be heard.

    Escape from BABYLON is the 6th track on Sing Me a Lullaby, My Sweet Temptation.  "Babylon" here refers to "Babylon the great, the mother of harlots and the abominations of the earth," commonly known as the "whore of Babylon" (which is also the name of the artwork used on the cover of the song), a female figure mentioned in the book of Revelation as symbolizing evil:
    And I saw another woman sitting on a scarlet beast, which was full of blasphemy, having seven heads and ten horns. And the woman was arrayed in purple and scarlet, and gilded with gold and precious stones and pearls, and she had in her hand a golden cup full of abominations and filthiness of fornication. - Revelation 17:3, 4
    "The Whore of Babylon" is used by the boys to talk about getting rid of their exes and gold-worshipping "sluts," as the line goes: 

    Still I deal with trauma from this ex in my past
    Only bitch I know psycho enough to land me in rehab

    Resistance is Futile is the 8th track on Sing Me a Lullaby, My Sweet Temptation.
    The song reminds fans that Boy$ only changed their style, not their roots, as Ruby says in the last few lines of the song

    Still in that 7th, ain’t nothing has changed
    Still wearing FTP fits to the grave
    Still fuck the fame, fuck the pressure and pain
    Only thing changed is I cut off my mane

    Eulogy is the 9th track on the album.
    Scrim and Ruby spill out all the problems in their lives, Scrim talks about his rocky relationship with his family while Ruby opens up about the effects of his years of chronic drug use and his mental state.
    If we notice the title of the song and the chorus sung by the cousins, it sounds like the last words of the two of them played at a funeral after their deaths, most likely a self-inflicted death.
    In 2012, Scrim released a very similar song as the closing track to his first solo mixtape, Narcotics Anonymous, called Outro [Suicidal Thoughts]. The track is heavily based on a sampled song by The Notorious B.I.G. on Eulogy, Suicidal Thoughts.

    No Matter Which Direction I’m Going In, I Never Chase These Hoes is the 10th track on the album. $uicideBoy$ has spoken about their troubled romance on several occasions in songs such as CLYDE (I Hope At Least One of My Ex-Girlfriends Hears This)", "'Escape from BABYLON'" and Ruby's solo song "Broken Krystal Ball".
    Ruby had an unhappy five-year relationship in the past with a girl named Krystal and broke up with her before the release of What My Liver Can Handle That My Heart Can't, while $crim had an unhappy relationship with his ex-fiancé, Tori, who manipulated $crim while he was in rehab.
    The song serves as a reminder for the boys to stay emotionally detached and focus on what's most important: their careers and futures. Emotions can be a distraction when you're trying to be rich.

    $uicideboy$ Were Better In 2015 is the 11th track on Sing Me a Lullaby, My Sweet Temptation, and looks back at the themes and styles that made the duo famous, and how fans still want them to keep their original style of rap, themes of depression and suicide, and overall mellow tone, although they've continued to evolve both as people and as artists.
    The track itself is very similar in style to the duo's work during 2015/2016, featuring dark piano samples, Memphis vocals, and lyrics centered around depression, addiction, and suicide. Similar songs from that era include "Kill Yourself (Part III)," "Low Key," and "I Miss My Dead Friends," to name a few.
    The opening section of $crim is a direct quote from his lyrics on "Kill Yourself (Part III)":
    Always bragging about my emotions, sayin' how I'm fuckin' falling apart
    The song is one of Boy$' most popular songs, amassing around 402 million plays on Spotify alone. In the song, the brothers talk about their struggles with drugs, depression, and suicide - issues that "$uicideBoy$" was founded around.
    The song's title, "$uicideboy$ Were Better in 2015," first appeared in a merchandise trailer and on t-shirts and hoodies.

    Unlucky Me'' is the sequel to the boy band's 2016 effort "Lucky Me."In "Lucky Me," Boy$ references the infamous "27 Club" - a reference to a group of musicians who died at the age of 27. These artists include Kurt Cobain, Amy Winehouse, and Jimi Hendrix, to name a few.

    On the last track of "Sing Me a Lullaby," "My Sweet Temptation," $UICIDEBOY$ goes back and forth while $crim says he doesn't really trust the people around him and thinks people are "acting" to get his trust, while Ruby was speaking out about his long absence from social media and the public eye aside from concerts, and they both talked about their newfound sobriety, but that they're still suffering, and they still have a lot of love for themselves since $uicideBoy$ The same ideas and beliefs they've been talking about since the beginning, like being against "organized religion" are something they've talked about a lot in the past - like in their song "Exodus" - and throughout the album. The artwork shows photos of tornadoes that tore through parts of New Orleans and its suburbs, downing power lines and scattering debris in parts of the city severely damaged by Hurricane Katrina.
    St. Bernard Parish Sheriff Jimmy Pohlman said at a news conference that one person was confirmed dead and several others were injured in the suburb. Other tornadoes from the same storm system struck parts of Texas and Oklahoma, killing one person, injuring others, and causing widespread damage.
    As Boy$ talks about in the first song of the album Genesis, the use of this tornado may represent God's punishment for those who sin, as Genesis talks about how God created the world. Very good, but it was destroyed in a flood due to human disobedience, which may be a reference to the track name "THE_EVIL_THAT_MEN_DO".